Aitken, Doug (2005) Broken Screen: Expanding The Image, Breaking The Narrative. Edition. D.A.P./Distributed Art Publishers, Inc..
Agamben, Giorgio (1991) The Man Without Content. Stanford: Stanford University Press.
A Woman Under the Influence (1974) Film. Directed by John Cassavetes. UK: The Criterion Collection.
Badiou, Alain (2013) Cinema. 1 Edition. Polity.
Biro, Meghan M (2013) 5 Ways Leaders Win at Gamification Technology. Forbes (online)www.forbes.com/sites/meghanbiro/2013/09/15/5-ways-leaders-win-at-gamification-technology/ [Retrieved 31 October 2014].
Bracewell, Michael (2011) Something Supernatural, This Way Comes: Magic and Modernity in British Art, Tate (online) http://www.tate.org.uk/tateetc/issue17/darkmonarch.html [Retrieved 31 October 2014].
Campbell, Joseph (2008) The Hero with a Thousand Faces, Novato, California: New World Library.
Campbell, Joseph; Toms, Michael (1991) The Wisdom of Joseph Campbell, Mythic Dimensions, Tape 3, Side 1.
Cinema Verite (definition) Wikipedia (online)http://en.wikipedia.org/wiki/Cin%C3%A9ma_v%C3%A9rit%C3%A9 [retrieved 31 October 2014].
Deleuze, Gilles (1986) Cinema 1: The Movement-Image. 1 Edition. Minneapolis: Univ Of Minnesota Press.
Deleuze, Gilles (1989) Cinema 2: The Time-Image. Edition. Minneapolis: Univ Of Minnesota Press.
Gelb, Paul (2013) Razorfish Outlook Report Volume 10; Limited time to prepare for the unlimited potential of mobile (online). http://razorfishoutlook.razorfish.com/articles/exploremobile.aspx#01 [Retrieved 31 October 2014].
Guerlac, Suzanne (2006) Thinking in Time: An Introduction to Henri Bergson. 1 Edition. Ithaca, New York: Cornell University Press.
La Jetée (1962) Film. Directed by Chris Marker. France: AlloCiné.
Latour, Bruno; Porter, Catherine (2013) An Inquiry into Modes of Existence: An
Anthropology of the Moderns, Harvard: Harvard University Press.
Lockhorn, Jeremy (2013) Razorfish Outlook Report Volume 10, Forget Mobile, Think Multiscreen (online) http://razorfishoutlook.razorfish.com/articles/forgetmobile.aspx#01 [Retrieved 31 October 2014].
Maillet, Arnaud (2009) The Claude Glass: Use and Meaning of the Black Mirror in Western Art. Edition. Zone Books.
Manon, Hugh S.; Temkin, Daniel (2011) Notes on Glitch, World Picture Journal (online) http://worldpicturejournal.com/WP_6/Manon.html [Retrieved 31 October 2014].
National Museum of American (2001) History Freeze Frame: Eadweard Muybridge’s Photography of Motion (online exhibition) http://americanhistory.si.edu/muybridge/ [retrieved 31 October 2014].
Paglia, Camille (1991) Sexual Personae, New York: Vintage Books.
Philosophy of Film: Continental Perspective. Internet Encyclopedia of Philosophy (online) http://www.iep.utm.edu/filmcont/#H1 [retrieved 30 October 2014].
Reed, A.W. (2002) Aboriginal Myths: Tales of the Dreamtime, Sydney: Reed New Holland.
Rush, Michael (2005) New Media in Art (Second Edition), New York: Thames and Hudson.
Salz, Jerry (2014) The History of the Selfie, Vulture Magazine (online) http://www.vulture.com/2014/01/history-of-the-selfie.html [Retrieved 31 October 2014]
Sherwin, Sky (2014) Object Lessons (interview with Helen Marten), W Magazine (online) http://www.wmagazine.com/culture/art-and-design/2014/08/helen-marten-artist/photos/ [Retrieved 31 October 2014].
Torrance, E. Paul (1965) Constructive Behaviour: Stress, Personality, and Mental Health. Belmont, California: Wadsworth Publishing Company Inc..
Very Nice, Very Nice (1961) Film. Directed by Arthur Lipsett. Canada: National Film Board.